The new Charter for Trees, Woods and People will launch on 6th November — the 800th anniversary of the Charter of the Forest. Sylva Foundation has been a keen supporter of this Woodland Trust-led initiative. Last year we collected stories from hundreds of woodland owners (read more), and behind the scenes we’ve been lending our weight to help make this national celebration of trees a success. We’ve also been quietly busy at the Sylva Wood Centre, helping one of the main celebratory moments come to life in the form of 11 dramatic sculptures.
The Tree Charter Poles are being carved from 15′ oak logs by Sylva Wood Centre-based sculptor Simon Clements. Each of the sculptures represents one of the ten principles from the new Charter, while the eleventh, known as the ‘Champion Pole’, represents the Charter as a whole. The logs were donated by Crown Estates and procured by Grown in Britain.
Simon takes over the story . . .
A 15 foot oak log is quite a thing to have delivered to your door; there is no chance of missing it. So 11 of them represent a serious log pile and that makes starting a project quite daunting especially for Nick Keighley of Face North Forestry who runs the Woodmizer mobile sawmill from his base at the Sylva Wood Centre, and had only just taken delivery of it when the logs arrived.
The original plan was to have the logs de-barked before we received them, but since the process chews up the timber so badly that we would have needed to recut them before carving, we thought it was easier to run them through the sawmill straight away. It was not an easy task as we weren’t looking for planks but a cylinder of solid oak with no sapwood or bark. This meant that Nick needed to roll the logs onto the sawmill make a pass with the saw, roll the log a few degrees make another pass then continue around the log. We provided him with a plywood disk with the correct Diameter (400mm) to act as a template, but it was very much a case of learning on the job which Nick did brilliantly.
We estimated that the 15 foot logs were about a tonne in weight after sawing so they needed very substantial trestles to support them and these needed to be adjustable to save back strain. A trip to Dave at Cobalt Blacksmith in Nuffield and some chalk drawings on the forge floor resulted in a pair of scissor-type trestles with a chain locking system. We ended up with two pairs so we could work on two poles together.
Brian is an student of mine who bravely agreed to have a go at some of the lettering and has proved to be a natural letter carver, there are around 300+ letters on each pole It takes about 15 or 20 minutes to carve each one so he is an extremely useful member of the team. Steve my other helper has left us to learn cabinet making in Lyme Regis but will be back in time to help with the last few poles in the New Year (he doesn’t know this yet!).
Once the poles were on the trestles they needed to be rounded out to remove the slabs left by the saw. The first two poles, which had gnarly grain, were planed with a 4” power planer; boring, messy and noisy. Once we had a good smooth surface to work on the poem stencils were wrapped around the pole so we could write out the poem reading from the bottom up. The poem words wrap around the pole and are carved into a ribbon with the other carvings placed between the twists of the ribbon.
Once we started work on the later poles we found that the timber was so good that it could be rounded out with a drawknife. The second and third poles were lovely to work; with long straight grain that showed pink as the drawknife sliced through the surface, and because they were denser than the previous two poles it took them longer to open up
Then it was a matter of drawing the designs directly onto the timber and starting to carve. Roughing out the designs was done with a variety of power rasps and cutters, (Rotarex and Arbourtech) on 4” angle grinders, and then followed up with carver’s gouges and mallets.
Because of the nature of green oak all the designs needed to be bold simple shapes, rather than delicate or highly undercut, as the Oak began to open up as soon as it was placed on the trestles. Each pole required about 30 hours of drawn design work which was sent to the Woodland Trust to be signed off before work could begin.
It has been a personal highlight seeing these huge slightly pink oak poles rounded out and made ready for the carver’s chisels. Of course so far the poles are all sitting horizontally in storage after our work is complete, and though they look good and very intriguing, I’m really looking forward to seeing the champion pole go up, which will be the first pole to be lifted into place on its custom made stone plinth in the grounds of Lincoln castle.
Find out more and sign the new Charter at: treecharter.uk/sign