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Tree Tools for Schools

posted on June 21, 2018

We were pleased to have been approached by the Woodland Trust for help in developing a new national resource for schools to be called Tree Tools for Schools. The resources are now live on the Woodland Trust website.

Tree Tools for Schools

Tree Tools for Schools

Our team adapted some existing Sylva Foundation education resources to develop the ‘Working with Wood’ activities. The activity worksheets and teachers notes cover five topic areas all linked to subjects areas in the Key Stage 2 Primary School Curriculum:

  • What does wood mean to you? Learn how wood has been used throughout history and how it is used today.
  • Different trees for different needs! Discover the many reasons for planting trees. And find out how a tiny acorn grows into a mighty oak!
  • The story of wood: from tree to table! Follow the journey of a tree from the forest to the sawmill and see how it’s transformed into a table.
  • What are broadleaf and conifer trees? Learn about hardwoods and softwoods, and how they are different.
  • The power of planting trees! Find out why we need to plant millions more trees in the UK. And start your own campaign to inspire others!

Visit the Woodland Trust website

 


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See us on BBC Countryfile this weekend

posted on November 2, 2017
BBC One Countryfile

Watch us on BBC One Countryfile

We’re looking forward to seeing the Sylva Wood Centre on BBC Countryfile this Sunday evening.

The programme team visited us, with presenter Matt Baker, to see sculptor Simon Clements at work on the Tree Charter Poles (read more), Nick Keighley’s mobile sawmill in action, and local school students enjoying a Forest School session in young woodland in the Future Forest and woodland on the Earth Trust’s neighbouring land.

The programme will be broadcast on 5th November at 6.15pm on BBC One. You will be able watch the programme online here

Willowcroft Community School children with Matt Baker for BBC Countryfile

Willowcroft Community School children with Matt Baker for BBC Countryfile

 

 


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Charter poles emerge from the Sylva Wood Centre

posted on October 30, 2017

The new Charter for Trees, Woods and People will launch on 6th November — the 800th anniversary of the Charter of the Forest. Sylva Foundation has been a keen supporter of this Woodland Trust-led initiative. Last year we collected stories from hundreds of woodland owners (read more), and behind the scenes we’ve been lending our weight to help make this national celebration of trees a success. We’ve also been quietly busy at the Sylva Wood Centre, helping one of the main celebratory moments come to life in the form of 11 dramatic sculptures.

The Tree Charter Poles are being carved from 15′ oak logs by Sylva Wood Centre-based sculptor Simon Clements. Each of the sculptures represents one of the ten principles from the new Charter, while the eleventh, known as the ‘Champion Pole’, represents the Charter as a whole. The logs were donated by Crown Estates and procured by Grown in Britain.

Simon takes over the story . . .

A 15 foot oak log is quite a thing to have delivered to your door; there is no chance of missing it.  So 11 of them represent a serious log pile and that makes starting a project quite daunting especially for Nick Keighley of Face North Forestry who runs the Woodmizer mobile sawmill from his base at the Sylva Wood Centre, and had only just taken delivery of it when the logs arrived.

The original plan was to have the logs de-barked before we received them, but since the process chews up the timber so badly that we would have needed to recut them before carving, we thought it was easier to run them through the sawmill straight away. It was not an easy task as we weren’t looking for planks but a cylinder of solid oak with no sapwood or bark. This meant that Nick needed to roll the logs onto the sawmill make a pass with the saw, roll the log a few degrees make another pass then continue around the log. We provided him with a plywood disk with the correct Diameter (400mm) to act as a template, but it was very much a case of learning on the job which Nick did brilliantly.

We estimated that the 15 foot logs were about a tonne in weight after sawing so they needed very substantial trestles to support them and these needed to be adjustable to save back strain. A trip to Dave at Cobalt Blacksmith in Nuffield and some chalk drawings on the forge floor resulted in a pair of scissor-type trestles with a chain locking system. We ended up with two pairs so we could work on two poles together.

Brian is an student of mine who bravely agreed to have a go at some of the lettering and has proved to be a natural letter carver, there are around 300+ letters on each pole It takes about 15 or 20 minutes to carve each one so he is an extremely useful member of the team. Steve my other helper has left us to learn cabinet making in Lyme Regis but will be back in time to help with the last few poles in the New Year (he doesn’t know this yet!).

Once the poles were on the trestles they needed to be rounded out to remove the slabs left by the saw. The first two poles, which had gnarly grain, were planed with a 4” power planer; boring, messy and noisy. Once we had a good smooth surface to work on the poem stencils were wrapped around the pole so we could write out the poem reading from the bottom up. The poem words wrap around the pole and are carved into a ribbon with the other carvings placed between the twists of the ribbon.

Once we started work on the later poles we found that the timber was so good that it could be rounded out with a drawknife. The second and third poles were lovely to work; with long straight grain that showed pink as the drawknife sliced through the surface, and because they were denser than the previous two poles it took them longer to open up

Then it was a matter of drawing the designs directly onto the timber and starting to carve. Roughing out the designs was done with a variety of power rasps and cutters, (Rotarex and Arbourtech) on 4” angle grinders, and then followed up with carver’s gouges and mallets.

Because of the nature of green oak all the designs needed to be bold simple shapes, rather than delicate or highly undercut, as the Oak began to open up as soon as it was placed on the trestles. Each pole required about 30 hours of drawn design work which was sent to the Woodland Trust to be signed off before work could begin.

It has been a personal highlight seeing these huge slightly pink oak poles rounded out and made ready for the carver’s chisels. Of course so far the poles are all sitting horizontally in storage after our work is complete, and though they look good and very intriguing, I’m really looking forward to seeing the champion pole go up, which will be the first pole to be lifted into place on its custom made stone plinth in the grounds of Lincoln castle.

Simon Clements
www.simonclements.info

Find out more and sign the new Charter at: treecharter.uk/sign


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